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The Adobe CC may have the most features, but does that mean it's actually the best tool?įYI, I use Adobe products every single day and think they are fantastic. As any creative will tell you, it's the artist, not the tools.

It is almost as meaningless as comparing camera specs. This is simply a "features-first" comparison. What do you guys think of the findings? Among these apps, is Premiere, along with its cousins, the best multi-purpose value? If you disagree, what are your points of contention?
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One again, be sure to check out the full post over at Wolfcrow, and give some props to Sareesh if you found his info-wrangling helpful!
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Thanks to the monthly subscription, that DIT could still rent out their own package - merely using Adobe CC for the duration necessary - instead of having to sub-rent a whole new rig just for the right software suite, which would lose that DIT their potential extra pay. The show hiring that DIT, on the other hand, requires a fully-Adobe workflow. Let's say a DIT owns and rents out gear for income additional to their standard rate, but doesn't pay for CC regularly. I also think Sareesh's example raises a possible defense of the subscription-only Adobe Creative Cloud: it can be treated like a 'rental' on a show-by-show-basis, so you don't have to own it indefinitely to use it. That said, metadata support and poly-lingual round-tripping basically mean you can incorporate any other tool you need into your Adobe CC workflow - and, if the show can't afford other software, you can still pull together something more-than-solid with the tools confined to CC. These findings are Sareesh's, and as always, specific applications may demand better-suited software. Your mileage may vary significantly - the chart is just a start in the right direction. Now, it's definitely worth reading the entire post, as there is much more information to be sifted through.
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If a project ran for 60 shooting days, and I needed Adobe CC for five months total, I’d still only spend $250. Why on earth do I need any other software? Adobe Premiere Pro CC wins my vote for the best on-set ingest, logging, dailies, grading and backup software. It can do everything. All this is for $49.99 per month.
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Wolfcrow writer Sareesh Sudhakaran compiles a chart of info about programs spanning the general-purpose NLE zone, across dedicated media management, all the way to specialized graders, including: Adobe Premiere CC, Apple Final Cut Pro X, Davinci Resolve, Red Giant Bulletproof, Redcine-X, Sony Vegas - among several other programs I've never even heard of. Could Premiere & Adobe CC have the overall best value? Click through for a few more details, and to see if you agree with its findings. But, is there a flexible, multi-purpose software package that can truly cover all the bases, and at a better price than all the rest? Wolfcrow has sought to answer this question in a recent, very detailed, post. Although the show definitely performed well during its original run, the years of repeats managed to establish an audience that hadn’t been around during the ‘60s.Your on-set digital workflow can vary wildly depending on your camera, budget, and schedule with each variable uniquely affecting the others.

That’s largely thanks to syndication, which kept the program in people’s minds throughout the ‘70s and ‘80s. ‘Gilligan’s Island’ is one of those shows whose legacy has stood the test of time, despite only being around for three seasons. Gilligan’s Island was betrayed by the network president However, the truth always comes out eventually.
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The showrunners didn’t want fans knowing that this was why their favorite series was over. Unbeknownst to viewers, there was drama happening away from the cameras that caused the show to go downhill. In a couple of cases, it was the goings-on behind the scenes that led to their demise. The reason they got canceled varied greatly, with several failing to meet ratings expectations while others just reached a natural conclusion. We’ve seen plenty of great series come and go over the years, some of which definitely went off the air before their time. Even long-running programs like ‘The Simpsons’ will finish at some point, despite seeming like they’re indestructible. While we wish that some of our favorite TV shows would stick around forever, they all have to end eventually.
